VIZ Media reaches the next stage in the development of its VIZ Originals imprint. Aspiring artists and writers are invited to apply for portfolio reviews taking place at some of North America’s biggest pop culture shows. The VIZ Originals imprint will develop innovative, English-language creator-owned graphic novel content for a global market, and is committed […]
The Black Nerds Expo on Thursday, February 28 from 10:00AM to 2:00PM at MiraCosta College (1 Barnard Drive, Oceanside, CA 92056) is a space for attendees to explore and celebrate black comics, books, art, video games, and pop culture. This event is open to everyone! Register at http://blacknerdsexpo.eventbrite.com for free!
Here is what the expo will offer:
-Meet people in the art, video game, and comic book industries
-Make new, local friends who like black pop culture
-Participate in opportunity drawings for active attendees
-Take Instagram-worthy photos at the photo booth
-Day-of point card to collect comics-related stickers and prizes
-Learn about upcoming projects and releases information in anime, manga, video games, media, and pop culture
How much is it to attend the Black Nerds Expo?
It’s free! Just make sure to either pre-register or register on-site for entry.
Why is there a need for a black nerds event?
Could you name at least three black superheroes outside of Black Panther, Storm from the X-men, or Luke Cage? Could you name at least three black authors without searching on Google? Could you name at least one black artist outside of comics? Events such as the Black Nerds Expo is to make aware the existence of black pop culture that isn’t usually shown or celebrated in mainstream media.
If I’m a vendor, artist, or would like to table for the Black Nerds Expo, how can I make that happen?
Please email email@example.com or complete an exhibitor application at https://goo.gl/forms/75SkViyzNwPSFptU2 to register a representative to participate in the Black Nerds Expo. There is limited space, so please contact Jd Banks as soon as possible.
How much is it to reserve a table?
It’s free! We don’t want tabling or exhibiting fees to be a barrier for exhibiting. Please contact Jd Banks at firstname.lastname@example.org as soon as possible since space is limited.
If I can’t be there personally but I or my business would like to contribute, how do I do that?
Send any promotional materials (i.e. flyers, postcards, business cards, posters) to the following address by Thursday, February 14, 2019 to give them time to arrive:
ATTN: Jd Banks, Student Equity (MC: #10C)
1 Barnard Drive
Oceanside, CA 92056
Is it possible to sponsor something for this event?
Sure! We would like to do an opportunity drawing for attendees, so any swag items such as T-shirts, hats, buttons, wrist bands, DVDs, posters, cups, or figurines relating to black pop culture would be appreciated. In return, the Black Nerds Expo will cross-promote your brand on social media and other marketing materials. Please email Jd Banks at email@example.com for information.
Are you providing any stipends or paying any fees for vendors, artists, or representatives to participate in the Black Nerds Expo?
No. Participants will only be provided a table, refreshments, and day-of logistical support.
What sort of things would be great to bring as a vendor, artist, or representative to the Black Nerds Expo?
If you are a comics vendor, comics and graphic novels concentrating on black superheroes such as Black Panther, Storm, Luke Cage, Black Lightning, Green Lantern, March, Miles Morales Spider-Man, Ironheart, Batwing, Cyborg, Mister Terrific, Vixen, Nubia, Rocket, XS, Tattooed Man, Afro Samurai, and more would be great. Find a list of black superheroes at https://en.wikipedia.org/wiki/List_of_black_superheroes. Books from Toni Morrison, Ben Okri, Karyn Parsons, John Lewis, Alice Walker, Octavia Butler, Ta-Nehisi Coates, Michelle Obama and other black authors would also be great. Artwork can be fan-created artwork of current black superheroes and/or original artwork with black and African-American attendees in mind.
Black Nerds Expo Supporters
Awww, but it was just starting to get good! In 2001, Weekly Shounen Jump debuted a new manga that rocketed to the top of everyone’s must-read lists: Bleach. I can still recall the almost nervous excitement I felt upon hearing the news that the author of Zombie Powder, Kubo Noriaki AKA Kubo Tite, was set…
How to Make Backgrounds for Manga
Just as in writing, backgrounds are important for every manga. It anchors the characters and settings in a specific time and space. Without them, readers have only dialogue to follow the story.
Drawing from scratch
Creating a background from scratch may be time consuming, but it is one of the most fulfilling parts of drawing. Once you’re done, you sigh and yell, “I did it!” The best way to create a background from scratch is to take a picture of the locations or buildings you want to use and draw it from that picture.
The reason why I don’t prefer drawing at the location is because many factors change as you’re looking between your drawing and the actual place. The sun and clouds move, shifting the shadows around, and people hover over your shoulder with indignant questions, peeling your gaze from your focal point. A picture will stay whatever you want that picture to be.
Turning out a picture
With a picture of a location, you can also create unique backgrounds. Ai Yazawa turns images into shadows with almost pixelated points.
You can also turn pictures Into vectors in Adobe Illustrator or Manga Pro. To vectorize an image in Illustrator, select to “Trace”.
Using stock pictures
If drawing or vectorizing pictures are too much, you can buy Deleter background booklets or get free stock manga backgrounds on DeviantArt or Pinterest.
Deleter and Manga University both have books with backgrounds you can print onto adhesive sheets and apply like screentones or digitally place them in your manga using layers. They’re good for hard-to-find pictures such as Japanese classrooms, common streets, and convenience stores. The books aren’t free. They price anywhere from $2.50 to $12.00 online.
Here are a few generous artists:
If you want to be a well-rounded artist, my advice is to learn how to do perspective drawings. Even if you plan on becoming a traditional artist (drawing, painting, sculpting), learning perspective will only be a tool.
Reformed Fat Hater on Fat Characters in Manga
I used to hate and blame fat people for their heaviness. It’s their faults, I convinced myself. But after facing my own fat issues and reading about weight discrimination in all walks of life, I’ve changed my accusatory hate into something more productive: understanding. It’s been hard considering that I live in Japan, a country where the inaccurate BMI is still gold and sizes run all but large.
In reading a post on Tutus and Tiny Hats, I realized that this problem–making fat people the victims of a weighty situation–is ingrained not just in Japanese fashion. It’s something that even manga readers have to see in black and white: the fat characters in manga and their treatment by their thin counterparts.
Two manga come to mind. The first title is Bara no Tame ni, or For the Rose, an unlicensed title in the shoujo category. Because of its quirky plot–a chubby homeless girl starts living with her half-siblings in her movie star mother’s home–For the Rose won the Shogakukan Manga Award in 1994. For me, this manga proves that a manga starring an overweight woman can be memorable. I read this 10 years ago, and I can still remember how unfair and judgmental everyone was being to Yuri, who only wants to find a home with her siblings. One thing I love about this manga was how the other characters changed around her, defending and protecting her for her, not her size.
The second title is an unlicensed josei title called Cousin with a chubby girl as its main character. After Yuki graduates from high school, she meets Aoi, a carefree guy who decides to befriend her because he’s a fan of her actress cousin. Though Yuki is skeptical at first, thinking he’s a pervert, they become friends. In spite of its lackluster plot, I love Yuki and her realistic struggles with her weight and her place in the world. She faces hassles on her new job and with her new friends, but she keeps moving forward in life. What really surprised me was her family’s personality. When she decides to lose weight, her parents are reluctant at first because they “love her the way she is” (though her father adds, “I like chubbiness”). Her younger sister, on the other hand, gets on her case even more, but just as in Yuki-fashion, she is mostly labeled as an ignorable brat. I never thought of this kind of situation for a fat person. What if your family is resistant to you losing weight? What warms readers hearts about this manga is that Yuki has perseverance–and yes, she stumbles here and there–and the characters around her accept her for who she is, not the size on the tag.
I love these two manga, but as I said before, they’re unlicensed, meaning that they aren’t officially translated into English for the Western audience. I can think of other manga that have fat supporting characters, however, I’m looking at main characters. They come few and far between. This shows how Japanese comic artists stereotype fat people, usually making the defining traits for rotund characters like Choji Akimichi (Naruto), Gluttony (Fullmetal Alchemist), and Terumichi Nishida (Detroit Metal City) the same.
I don’t think fat people can be put into the same Giant Foodie Category just because they’re fat. Every person, whether they’re a size 22 or a size 2, has problems, and those problems lead people to different coping mechanisms. Some may be food addiction while others are alcoholism. Some may be one too many milkshakes, and others may be one too many sexapades. These things are just escapes from a larger issue that needs to be faced. I know for me to even start losing the weight I gained from life abroad and marriage, I had to look at my heart before my plate. If anything was going to change and stick, I had to tackle the problem(s). I’m not at my goal right now, but I am at a better place–and so are the numbers on my scales.
Now if only manga creators could find it in their hearts to make some super interesting fat characters, main or side, without using their fatness as the only defining trait.
Here are some licensed manga that feature fat or fat-thinking main characters:
Accel World by Reki Kawahara and Hiroyuki Aigamo (Yen Press)
Boys, Please Kiss Him Instead of Me by Junko (Kondansha/Crunchyroll)
Fat Cinderella! by RISE and Makoto Suzukawa (DeNA Manga Box)
I’ll Give It My All…Tomorrow by Shunju Aono (Viz)
My Love Story!! by Kazune Kawahara and Aruko (Viz)
Ugly Duckling’s Love Revolution by Yuuki Fujinari (Yen Press)
This month, online manga and comic magazine, Inkblazers, shut down for good. I was a big fan of the series, “Only Human”, but just because the magazine is gone doesn’t mean these awesome comics have to disappear as well.
For those of you looking for digital manga and comics, try out these former Inkblazers to their own websites.
Carciphona, by Shilin Huang
Era, by Wave
FaLLEN, by Ogawa Burukku
Hell Kitchen, by DED
Licensed Heroes, by Tiny Blue Dragon Studio, TriaElf9
Morning to Moon, by Lintwhite, Runcible
MYth, by Zelda Wang
Neon Glow, by AlkseeyaKC
Neverend, by VanRah
No End, by noend
Not Quite There, by Jax Nguyen
OPHIR:Reload, by Aubrey Dagal and Aestus Gonzalo
Polterguys, by Laurbits
RPR – Rock’n’Punch Riders, by Daniele Rudoni
Rumplestiltskin, by h0lyhandgrenade
Semi, by Aka-Nezumi
Shamrock, by Ashikai
Slash, by wadevesecha
Stray Dog, by VanRah
Fabled Kingdom, by Queenie Chan
The Wastelands, by Petitecreme
Todd Allison and the Petunia Violet, by Nozmo
Vampire Fetish, by LOOM
“How do I get to Japan?”
Aside from stowing away in a friend’s suitcase for Tokyo, getting to Japan is easy. It depends on your desire. Do you want to work, play, study, or tour?
If you’re looking to play in Japan or tour the sights, you could do it the old-fashioned way and buy a plane ticket. You’ll be shelling out around $1,000 for a round-trip ticket–a definite hole in some shallow pockets. The other way to get to Japan is by joining your city’s sister cities program. “My city has a sister city?” Most cities, even the small ones, have a sister city in a different country. I came to Japan for nearly half the cost because the City of Chula Vista did a summer sister city exchange program in Odawara. If you go this route, you’ll be a representative, which means you’ll have some obligations to fulfill before seeing sights. As a representative, you’ll get to see places and things that you wouldn’t see if you were just a tourist.
Bottom line: Try to go to Japan on someone else’s bill.
If you want to study in Japan, there are various programs to try. The first one to try is your own school. Many high schools and universities have a short-stay (two weeks to three months) exchange program or a long-stay (eight months to one year) exchange program. In universities with strong international programs, you could arrange to study for a year in a coordinating Japanese university paying the same tuition for your regular university. Aside from the universities, some places in Japan offer a chance for foreigners to come to Japan simply for studying manga techniques or the Japanese language. These programs, however, are usually limited space and short-stay programs, but they still give you a glimpse into Japanese culture. There are a few programs in schools intended for job placement in Japan, such as Ritsumeikan Asia Pacific University. You can also check out my post on manga classes offered to foreigners.
Bottom line: Use the easiest route first and learn some Japanese.
If you want to work in Japan, you’ll have to do one of two things: come to Japan and find work within three months or apply through a program in your home country and get the job before coming to Japan. The latter is easier to do because programs like the Japan Exchange and Teaching Programme (J.E.T. Programme) and the Interact Network provide some assistance in getting your visa and plane tickets and helping you settle into your new home in Japan. Coming directly to Japan and looking for work on a visitor’s permit is more stressful because of the time restrictions. If you arrive after April, you miss the hiring season, lowering the chances of finding a job. If you arrive between January and April, the chances of finding a job is higher since most work contracts end in April.
Bottom line: Apply before coming Japan or arrive before April for the hiring season.
If you want to “accomplish your dreams”, remember that dreams require work. Most young people want to be a manga artist. As Jamie Lano of Jamieism.com suggested, read Bakuman. It’s not as glamorous as most people might think, but if you’re willing to shed some sweat and tears–and maybe blood–you’ll find yourself gaining wholesome experiences.
Bottom line: Look before you leap, and work for your dreams.