Since I was twelve years old, I enjoyed watching anime and reading manga. Fourteen years later, I still watch  anime and read manga, but now, I enjoy them in Japan–and they’ve taken a whole new dimension in my eyes. Anime and manga are actually funnier than I realized!

One series that has Japanese culture bombarding every page in big and small ways is Great Teacher Onizuka, or G.T.O. for short. Blow-up dolls, booty grabbers, and bad boys of Japan spring up in a rather simple premise. Among them are the comical antics of the main character, teacher-in-training Eikichi Onizuka. Somehow, the stupid yet charming things he manages to pull off in a rigid society like Japan makes me laugh.

What a bad Japanese application looks like.

In one part of the second volume, Onizuka submits his application for a teaching position at an academy. One look at it, and you’d think, “OK, here’s an honest applicant with zero experience.” It’s truthful, but what makes it funny is how some poor applicant in Japan will take this at face value and submit an application identical to this one. As tempting as it is to copy the anime or manga lifestyle, the sad reality is it’s not reality.

If you’re like me, and you’re inside the Japanese educational system, you’d probably change that line to, “This guy is a dumb-ass.” Everything is wrong with the application! You don’t write what you honestly think. Just write what the interview panel wants to read. You don’t put “my physical body” as a personal attribute. What does that have to do with teaching? And you definitely, under no circumstances, use a cute perikura picture for the required picture–it’s obviously not to size.

Aside from G.T.O., many series have cultural points laid out for foreign readers like the hierarchical system in addressing people (i.e. Tanaka-san, Tanaka-kun, Tanaka-chan) and references to Japanese history or pop culture. Some cultural points can’t be explained, but rather, seen firsthand. For example, seeing characters fall over suddenly when someone says something stupid or ridiculous seems to belong in anime and manga. The keel-over reaction is something I’ve seen at work in Japan again and again. Another piece of Japanese culture that most fans readily identify with is the panty vending machines. I’ve only seen one in a ladies’ changing room at a hot springs resort, but other than that, they don’t exist on every corner of Japan. Cigarette and soft drink vending machines can be seen every kilometer you go in Japan.

I started reading a manga called ARISA about a junior high school student by the same name with an outgoing personality. In the first read, I grasped the story and the characters, but in the second read, I noticed some mundane parts of the manga that are hilarious—that is, if you know the cultural significance of it. Arisa clobbers some boys for throwing a carton onto the ground, something that is illegal in many parts of Japan. I found myself encouraging the boys’ clobbering. “Get ‘em, Arisa! They didn’t recycle!” But only if you’ve lived in Japan could you find that funny while claiming a moral responsibility towards the situation.

Although there are some things that are pretty dead-on between Japanese animation and Japanese culture, the funniest part about it all relies on the cultural points—and how much you get them. Once I was able to understand the real situations from living in Japan, anime and manga took on a different significance.