A Try in Japonism

tryinjaponism
My last project for Japanese art history was to practice the funpon, or copying the master, technique. We had to find one artwork from all that we had studied and reproduce it using any medium. Of course, I chose Utagawa Hiroshige’s Plum Orchard at Kameido Shrine (1857) from 100 Famous Views of Edo. It took me 6 days to make it because I could only work on it between classes and work.

I started with the background before painting the rest of the image so that the oil paint would set by the time I started the foreground images.

finalpic1finalpic2finalpic3finalpic4finalpic5finalpic6finalpic7finalpic8finalpic9finalpic10hiroshige_oil
When it came to the little people in the background, I used several twigs to get the details. At the time, I didn’t have money to get really small brushes.

brush

Vincent van Gogh also painted this ukiyo-e (on the right), renamed Flowering Plum Tree (1887), in oil paint. 7710-620x-HiroshigevsVanGogh

Hiroshige’s ukiyo-e (on the left) was considered a higher level than other ukiyo-e artists in his time. While other artists were using a traditional method of simple block coloring, Hiroshige used gradients in his work as you can see in the trees’ realistic shading and the background. If you’d like to know more about Utagawa Hiroshige, you can check out my Art Project Presentation.

If you’re a fan of ukiyo-e, you can participate in Tokyo Five‘s Book review & giveaway 3: Ukiyo-e; The Art of the Japanese Print. One lucky winner will get a free copy of this book!

5 thoughts on “A Try in Japonism

    • Thank you! I try to put up my process as a record for myself and for others to see. I still have a long way to go, but I’ll get there eventually.

  1. Pingback: Hokusai and Hiroshige Origami Paper from Tuttle! | Jade's Escape

Leave a Reply to tokyo5Cancel reply